Wednesday, June 19, 2013

Orangeberry Free Alert - The Northern Star: The Beginning by Mike Gullickson

The Northern Star: The Beginning by Mike Gullickson

Amazon Kindle US

Amazon Kindle UK

Genre - Science Fiction

Rating - R

4.4 (10 reviews)

Free until 20 June 2013

2058. As the struggle for dwindling resources plunges the world into chaos, and "Mindlink" technology opens cyberspace to the masses, injured soldier John Raimey is transformed into a powerful bionic warrior (known as a Tank Major) to retrieve the King Sleeper: a computer hacker so devastating on-line, he can decimate government infrastructure, subliminally persuade the masses, and even kill.

Author Interview – Michel Sauret

How much of the book is inspired by real events? I’d say that about 20 percent of the stories are inspired by true events that I developed and fictionalized as the writing went on. For example, I had to serve at a military funeral for the Army which inspired “Consumed” and one night I had to react to my girlfriend being assaulted at a college campus, which prompted “Lost in the Night.” Most of the other stories are inspired by questions or ideas that puzzled me and this was my way of dealing with them.

How important do you think villains are in a story? I think that in contemporary literary fiction the villain is not always obvious. Sometimes the protagonist is his own worst enemy and serves a bit as a villain himself. There are a couple of distinct villains in a few stories. One character in particular gives me the chills because of how cold and manipulative he can be.

Usually I use my own brash and tense character traits in my protagonist to bring ambivalence and tension in my characters.

What are your goals as a writer? I often judge my level of success on whether or not I could make a living off of what I commit myself to. For example, if I had to depend on my photography to pay the bills and support my family, I know I could make that work. With my writing, I’m not there yet. I think the talent, creativity and commitment is there, but it won’t be until I push a few more books that I could see writing as a sustainable source of income. I think once I accomplish this, I could consider my writing a success.

Who is your favorite author and why? My favorite short story author is Richard Bausch because he just has such a knack for creating tension between characters who don’t know how to communicate what they want with each other. He uses everyday people and makes their struggles incredibly pressing on your soul.

As far as novelists, I love Cormac McCarthy. He nails the true sense of humanity and its ugly side. Plus he writes extremely simple and subtle stories with a heavy impact that just surprises you. When you first read him, you thin, “What’s the big deal here? He’s nothing special.” And then it dawns on you where all the weight is, just beneath the surface.

imageHave you started another book yet? I’ve been working on “Jump,” which is intended to be a modern day “Pilgrims Progress” of a sorts, where the main character is born into a fundamentalist Christian household and goes on a search for truth and God’s grace as he grows older.

Where do you see yourself in five years? That’s extremely tough to say considering that my Army job forces me to move every three years. But from a writing perspective, I think I’ll have my next two novels published and possibly working on a three-book series based on the Duct Tape People short story in my collection. Hopefully by then I’ll have established my name in the world of self-publishing. My goal is to really promote indie authors and build a strong network where we can support one another.

Are you reading any interesting books at the moment? I switch a lot between fiction and theological nonfiction. I’m currently reading a bit of R.C. Sproul and a book on the Protestant Reformation. Whatever I read, I like it to engage my mind and teach me something. Otherwise, what’s the point of reading?

What do you do to unwind and relax? The stereotypes are real. I enjoy a glass of fine scotch when I can, but I never drink to get drunk. For my latest birthday, my wife bought me a bottle of Macallan 15 year fine oak. Also in Ireland, I picked up a bottle of whiskey that I’m looking forward to opening up with a friend over a cigar.

But I won’t advertise myself as much of a cigar smoker. I’ll smoke one or two a year at the most.

“Amidst Traffic” is a collection of high-caliber, interconnected short stories with a literary flair:

A short-order cook digs a hole in his back yard to escape nightmares of mutilated children; A woman covers her body in tattoos to hold on to emotions that continue to slip away; A soldier who returns home from Iraq struggles with the idea of gratitude, which, if resolved, may save his marriage; A man begins a game of watching strangers to see what it feels like to play God.

All of these stories, and others, are linked somehow. With each tale, more lines and connections begin to form. What initially feels like chaos, gradually begins to take order. A purpose exists that is unveiled by the end.

Every story is crafted with a sense of compassion for the human spirit, while seeking answers about the conflicts we live through in everyday life. The characters in these stories will make you care about their struggles and hope for their redemption.

Buy Now @ Amazon

Genre – Short Stories / Literary Fiction

Rating – PG13

More details about the author

Connect with Michel Sauret on Facebook & Twitter

Monday, June 17, 2013

Chasing the Lost by Bob Mayer

NY Times Bestselling Author, former Green Beret and West Point Graduate, Bob Mayer.

“A pulsing technothriller. A nailbiter in the best tradition of adventure fiction.” Publishers Weekly ref Bob Mayer

Horace Chase arrives on Hilton Head Island to pay his last respects at the Intracoastal Waterway where his late mother’s ashes were spread and to inspect the home his mother left him in her will. He’s been recently forced into retirement, his divorce is officially final, and now he’s standing in the middle of the front yard of his ‘new’ house where a tree has crashed right through the center of it.

What could possibly go wrong?

Within six hours of arriving on Hilton Head, Chase is exchanging gunfire with men who’ve kidnapped a young boy and tried to grab the boy’s mother, Sarah Briggs. Soon he’s waist deep in an extortion plot to funnel a hundred million dollars of Superbowl on-line gambling money into an offshore bank account or else the boy dies.

Dave Riley has long retired from the military and living peacefully on sleepy Dafuskie Island off the coast of South Carolina. Sort of. Actually he’s bored, feeling old, and just a bit cranky running his deceased uncle’s small-time bookie operation.

Horace Chase, meet Dave Riley. Riley-Chase.

Chase and Riley assemble a team of misfits and eccentrics as they take on the powerful Russian mob in the lawless tidal lands of the Low Country to get the boy back.

Meet Erin: Chase’s long-ago summer fling, now a veterinarian and not interested in men any more, at least that way. But her suturing skills and her knowledge of the island bring assets the team needs. Especially after Chase’s first visit with the Russian requires a bit of the former.

Meet Gator: an ex-Ranger, iron-pumping, fire-breathing hulk of a redneck, with a soft spot in his heart for Erin, and steroids burning in his muscles to hurt people. As long as Riley and Chase point him in the right direction, the rest of the populace should be all right.

Meet Kono: a Gullah, descendant of the free slaves who fled to the barrier islands in the 19th century and developed their own culture. He nurses his own pain and secrets, but heeds Chase’s call to renew their childhood friendship. Especially when he learns the target is the Russians.

It adds up to a fiery confrontation to rescue the young boy, and settle some old scores.

But Riley and Chase need to remember a basic tenet from their days in covert operations: Nothing is ever as it appears.

Buy Now @ Amazon

Genre – Thriller

Rating – PG

More details about the author

Connect with Bob Mayer on Facebook & Twitter

Website http://www.bobmayer.org/

Sunday, June 16, 2013

Orangeberry Book of the Day - Blood, Smoke and Ashes by Bradley Convissar

Part 1

What Happens In Vegas

Chapter 1

Glenn Baxter made his way through the massive indoor storage complex, following the echoes in the distance with the same precision of a bloodhound using his nose to track his quarry.  His ears, large like Dumbo's (according to his ex-wife, who rarely had a nice thing to say about him), picked up the sounds of laughter, arguing, banging, and shoes scuffing along concrete floor in the distance, and he dutifully followed.  It was almost four-thirty and he was already twenty minutes late—ownership had probably snipped the locks off the first two or three abandoned storage lockers and auctioned them off already—and he didn’t want to miss any more of the action than he had already missed.  Thankfully, he had registered for the auction earlier in the day.  If he hadn’t, he wouldn’t have been allowed to participate at all, and that would have been unfortunate.  He always did well in Vegas.  And he had a good feeling about this place today.  Glenn had no paranormal or supernatural powers that he knew about, but when he had a gut feeling about a particular auction or a particular unit, he never ignored it.  And when he marked this day and this storage facility (Bob Jensen’s SafeStorage, a massive storage facility ten miles outside of the Vegas strip he visited at least once a year) a month ago, his gut told him that there was treasure to be found in the desert that day.

Glenn was not a professional storage picker, like many of the regulars he saw at these auctions.  He didn’t do it to earn a living.  He was a licensed handyman and ran a home improvement business from his house in Los Angeles.  The job provided a stable income but little excitement.  No, this was definitely a hobby, one he indulged in a half dozen times a year.  Most of the time he visited facilities in Southern California so he wouldn’t have to travel far from his home in Los Angeles, but once or twice a year for the past five years he ventured into Nevada for an auction.  He enjoyed the change of scenery.  And the casinos. And the legal brothels.

He felt like a treasure hunter when he went to a storage auction, and the allure of the unknown, the feeling of excitement or disappointment after opening an abandoned storage unit, was something that added a measure of spice to his life.  And since he didn't need it as his sole source of income, he didn’t get too down when things didn’t work out.  On one trip last year, he purchased a unit for almost five hundred bucks because the two-dozen boxes inside had been labeled electronics.  He had expected gaming systems and computer parts and movies.  What he found were rotting clothing, several dozen VHS tapes, four VCRs, and a couple of broken Apple computers manufactured during the eighties.

When he did find things of value, though, what he did with them was determined by what the items were: books and clothing he donated, electronics and multimedia, like video games and movies, he sold on eBay or Craigslist, furniture he sold to consignment shops, and anything else he found that he wasn't sure about he brought to a local pawn shop here in Vegas where he had developed a mutual respect with the hard-nosed but honest New York native who ran the place.

Glenn rounded the final corner of his chase and found a scene more raucous than expected, with hands flying into the air at a frantic pace and a chorus of voices vying for dominance as buyers rapidly raised their bids.  He discovered why when he spied the large LCD TV that stood bare for everyone to see in the front of the just-opened locker.  It wasn't just the TV that got the bidding—and the pushing and shoving—going, though.  A large, expensive TV like that, which may or may not actually work, oftentimes meant there were more electronics and other expensive items to be found deeper in the storage unit.  Video game systems, computers, monitors, home theater systems, speakers, nice furniture.  Glenn watched as bidding escalated quickly from $50 to $2,500— a relatively high number in the storage auction game—in under two minutes.  Though he was intrigued, he never considered getting involved in this particular auction; he had a thousand in cash in his pocket and that was it.  Besides... he had a feeling about this unit.  A small voice in the back of his head told him that maybe everything was not as it seemed.

As he waited for the auction to end (the final price wound up being twenty-seven hundred bucks, a price paid by a man who stood no more than five feet high and was wider than he was tall), Glenn surveyed the rest of the field.  There were easily thirty people crammed into the narrow hallway. Each individual looked scruffy and dirty (even the women) to some degree, and each possessed his or her own unique brand of body odor, the bouquets brought to full bloom by the heat inside the building. 

He recognized several of the bidders even though he had only wandered into Vegas for auctions half a dozen times over the past five years.  Brian Maslow, six-and-a-half feet of taught muscle earned wrestling alligators in the Louisiana bayou, stood toward the back.  He was easily recognizable by his massive frame, which dwarfed everyone else, and the score of red welts—his battle wounds, he called them—that covered his ruddy face. 

The Wilchak brothers, the slender, almost rat-like twins who owned a second hand shop in Denver, stood up front of the crowd, sticking their necks as far into the storage locker as the facility owner would allow, their noses constantly twitching with excitement as they peered into shadowy corners. 

And of course, Emilio Martinez was there.  The corpulent Mexican man stood quietly off to the side, a condescending sneer prominent on his ugly face. His tanned features were covered with a fine layer of sweat which glistened in the poor light, giving him a green, almost sickly appearance.   His heavy eyes, behind which lurked a reptile-like intelligence, casually observed his competition as he waited, his gaze lingering a bit too long as it fell on Glenn. 

Glenn himself was forty years old.  He stood six feet tall and was lean and long of limb, an advantage when it came to clambering up ladders and slinking through crawl spaces and attics while he worked.  His brown hair was pulled into a short ponytail at the back of his head, and he possessed a perpetual five o’clock shadow across his cheeks and chin.  He wore a pair of heavily stained jeans that were torn in half a dozen places and a white T-shirt covered by a red and yellow checkered short-sleeved button-down.

He did not recognize anyone else; they were either newbies who hadn't been around when he was last in town six months ago, day trippers who decided they had nothing better to do with an afternoon and five hundred bucks than spin the giant wheel of fate and buy a random locker, or dabblers like him who came on a whim when they needed a little excitement.

Five lockers in this particular aisle were flagged for auction, including the one that had just been purchased, each unit identified by a small green flag numbered four through eight. 

The group of buyers moved on to the locker labeled five as the winning bidder of four, the electronics unit, slapped his own lock onto the door.  Glenn had missed four auctions, including the one that had just ended, but that was okay.  There were eight or nine left to bid on.

The manager pulled out his bolt clippers and snapped off the Master Lock which secured the gaudy orange steel door to the side mooring.  He rolled the door up, revealing boxes, boxes and more boxes.  Dozens of brown boxes of all sizes filled the five-by-ten room, none of them labeled, none of them open.  Flashlights snapped on and mirrors on short poles entered the unit as the hunters used every tool at their disposal to learn something about the contents of the room.  It was like a strip joint—you could look and drool as much as you wanted, but absolutely no touching.  Touching got you thrown out and often times banned.

Each man and woman was given fifteen seconds or so to explore the room with their eyes, but Glenn did not venture forward.  He got no feeling from the room.  Didn’t mean there was nothing valuable inside, just nothing for him.  This type of room, it was the toughest to judge.  The boxes could contain old moldy clothing.  Could contain baseball cards or comic books.  Could contain personal knickknacks.  Could contain crap.  Rooms like this, they never went for more than a hundred bucks or so. While the rewards could be great, the risks were even greater.  And if there was nothing valuable inside, you still owned the locker and were responsible for cleaning it out.  And that meant time.

Once everyone had gotten a good look at the non-descript boxes, the auctioneer, an independent agent named Carl Smithson hired by the storage company to run the auction, began doing his thing: “We’re going to start at ten dollars.  Do I have ten dollars?”  A hand went up in the back.  “Ten dollars.  I've got ten dollars.  Fifteen dollars.  Anyone got fifteen dollars?”  A “yup” from someone right next to Carl.  And that was how it went, the dirty, sweaty men and women raising their hands or emitting a rough harrumph until the cost got to seventy dollars, at which point no more hands went up and everyone fell silent.  The rat brothers won the box room.  One of them slapped a lock on it, and to the next locker the group went.

One by one, they visited the remaining three lockers, and the same set of events occurred each time.  The door was rolled up, the contents were examined, and the bidding commenced. 

Locker six contained a moldy king-sized mattress up front that blocked the rest of the contents (went for $20 to a man wearing a cowboy hat, a large broom moustache and a pair of faded denim jeans).  Locker seven contained some furniture and several boxes labeled clothing (this one went for $120 to the mountainous Brian Maslow). And locker eight contained a student desk, several computers from the nineties with their accompanying massive monitors, and several boxes labeled notebooks, spare parts, and clothing (that one went for $250 to one of the irregulars).

As the buyer of the final unit in this group locked up his prize, the owner of the facility, Bob Jensen (who always attended the auctions to make sure everything was on the up and up) took a call on his cell phone.  He did more listening than speaking, and after several moments, he hung up abruptly.  He announced to the crowd that only three lockers remained, not four, because some lucky bastard had just gotten a stay of execution in the form of a loan from a family member to pay both the back rent and current rent on his unit.

The small group let out a collective sigh of disappointment, then traipsed down several more aisles, Bob pulling down a small flag marked #9 along the way.  Glenn hoped this wasn’t the locker he had that feeling about.  That would have been disappointing.

They finally came to a widened area at the far end of the facility where the buyers could spread out and breathe a bit.  There were fifteen ten-foot-by-ten-foot units in the little cul-de-sac, three of them marked with the familiar flags.  Glenn walked quickly to #10 before the owner could snip the lock and looked at the door.  He felt nothing.  He moved three doors down to #11 and looked at it.  Once again, nothing.  He shrugged, made his way across the wide hallway to #12. He looked at the orange aluminum door, its rough face crisscrossed with dozens if not hundreds of scratches, and knew.  Knew that this was the one.  He looked back to the group, where the men and women were busily examining the contents of #10.  All except for Emilio, who was looking at Glenn.  The fat man offered a toothless smile which looked borderline grotesque on his frog-like face.  Glenn turned from him and walked to #11.

When this unit was finally opened, Glenn made a show of looking interested.  He tried to shine his flashlight in all the corners, tried to maneuver his little mirror-on-a-stick he had brought with him in every cranny.  It was an intriguing locker to be sure.  Two boxes labeled electronics.  Two boxes labeled books. Three boxes labeled clothing.  Some furniture.  Some artwork stacked against the back wall.  He thought he spied some baseball bats and hockey sticks leaning against a corner.  Signed stuff, possibly.  But even if they weren’t collectibles, used-but-not-too-worn sporting equipment almost always brought in a pretty penny on eBay and Craig’s List and in thrift shops.  Stuff like that could be expensive new, and struggling middle-class parents were always looking for deals for gear for their kids.  Taken as a whole, it looked like the personal contents of a studio apartment of a twenty or thirty year old.  There was sure to be some value there.

Buy Now @ Amazon

Genre – Thriller / Horror

Rating – PG13 bordering on R

(Horror with some violence / Some sex, not overly graphic)

More details about the author & the book

Connect with Bradley Convissar on Facebook & Twitter

Blog http://bradleyconvissar.blogspot.com/

Saturday, June 15, 2013

Sleeper's Run by Henry Mosquera (Excerpt)

CHAPTER ONE

“What’s your name?” the police officer asks me.


“Eric Caine,” I answer rubbing my temple while lying on a hospital bed.


“Do you know where you are?” the cop says. Like me, he looks to be in his thirties, and has
the same body type. The officer has short brown hair, gentle blue eyes, and a youthful face that tells me he hasn’t been in this job very long.

Doctor Goldman, the man I saw when I woke up this morning, stands behind the officer. He’s a prematurely balding guy with glasses and a pleasant demeanor; probably just out of med school.

“The Miami VA,” I say scratching my scruffy black beard. “Listen, I already went through this wit h Doct or Goldman this morning. Whats t his all about?”

“I’m Officer Tucker with the Miami-Dade Police Department. I need to ask you a couple of questions.”

“Maybe you should’ve talked to the doctor first, Officer. He would’ve saved you some time by telling you I can’t remember much.”

“Mr. Caine, your employer has filed a missing person report on you. That was eight days ago. Since then, no one has had any idea of your whereabouts. That’s why it’s important to establish what happened.”

“Eight days?” I mutter as the idea dawns on me.“How did I get here?”

“You were found wandering the streets of South Beach by a gentleman,” Doctor Goldman says. “At first, he thought you were just a homeless man, but the fact that you were speaking Arabic caught his attention, so he decided to help. He saw the military ID card in your wallet when you passed out,and decided to bring you here.”

I study the doctor and the policeman with the same quizzical look they cast on me. Why the hell was I speaking Arabic?

“Mr.Caine,what’s the last thing you remember?” Officer Tucker says.

I lie back looking out t he window, and rub my face t o force my memory t o spit up somet hing, anything. “I was at a bar downtown called Tobacco Road. I remember walking to my car. It was late... that’s all I can remember. The rest are just fragments of me walking down the street, and then I woke up here.”

“Were you alone?” Tucker begins taking notes. “Huh?”


“At the bar.”


“Yes, I went by myself.”

“Did you drink that night?” Tucker’s eyes search for an answer even before I can speak. “I had a few drinks,” I say,looking down a little uncomfortably.


“I noticed on your record you got two DUIs about a month apart from each other,” the officer says giving me a hard stare. He’s clearly not buying it .


“It’s been a rough year,” I say holding the officer’s stare.


“It must be,” Tucker says returning to his notes. “You were also detained for getting into a
fight with some guys at another bar a couple of weeks ago.” His eyes shoot back at me. “Luckily for you, nobody pressed any charges.” He continues reading, “The police were also called t o your home t wo mont hs ago, about shot s being fired in your apart ment . An accident al discharge of a firearm involving a television set.”

“Like I said, it’s been a rough year.”

“Have you ever been diagnosed with post-traumatic stress disorder?” Doctor Goldman asks.

“Listen, I’m not some deranged vet,” I say. “If you want to charge me with something, go ahead. So either get to the point or go away.”

I can see both men are taken aback by my outburst. I take a deep breath and lay back, rubbing my eyes and trying to compose myself. I’m still confused as all hell and now my head hurt s.

“Do you remember anything about the accident?” Tucker asks right on cue.

“Accident?” I say freezing. Images of my old man killed by a drunk driver bombard my mind, accompanied by a growing sense of dread.


“You were involved in a car accident near the I-95 not too far from the bar,” Officer Tucker says scrutinizing my face for any signs of deception.

“Was anybody hurt?” Isay before the cop can continue.


“No.”


I feel as if my blood starts to flow again.


“You crashed your car into a tree,” Tucker says. “The vehicle was declared a ‘total loss.’

There were no witnesses.”


I suddenly feel as if t he ground has been pulled from under my feet . Officer Tucker repeats the question, but my mind is miles away. An accident? I can’t recall anything about a crash. Did I finally snap and try to take it up with God? That’d make sense if I actually believed in him.

He seems sufficiently satisfied by my confused look to proceed with the questioning. “There was reportedly a fight at the bar that same night; you wouldn’t happen to know anything about that,would you?”

“No,” I say in a daze.


“Do you have any family?”


I shake my head.


“Friends?”


“I just moved here three months ago.” My answers roll off my tongue automatically.
“From where?”


“Fayetteville, NorthCarolina. I was stationed at Pope Air Force Base.”


“How long have you been working as a paramedic?”


“Pretty much since Igot here,” I say.


“But you live in a luxury condo.” Tucker’s street smarts take over his bedside manner.


“It was my mother’s. Does this have anything to do with your investigation?”


“No,” the officer says closing his notepad. “Don’t worry; this is more of an insurance concern than a police matter. You seem in good health. You didn’t injure anyone or damage any property for that matter. So, aside from a couple of fees regarding the towing and storage of your car, you have nothing to worry about.”

“Other than my memory,” I say.

“Mr. Caine, you seem to have suffered a severe contusion that affected your short-term memory,” Goldman says.“This combined with the shock of the accident must have left you in a confused state. This is, of course, a peculiar situation, to say the least; but not impossible. Fortunately, all your tests came back fine. As far as we can tell, you’re in excellent health.”

“Yet I feel like the floor of a taxi,” I say rubbing my sore body.

“Nothing that a nice bath and a good night’s sleep won’t fix,” the doctor says.


Officer Tucker stands up and hands me his card. “If you remember anything, give me a call.”


I take it and wait for him to leave. He stops, remembering something. “One more thing...” “Yes?”

“Where did you learn to speak Arabic?” “The Air Force,” I say, lying.

“Of course. You have a good day, Mr. Caine.” 




  • Winner of the 2012 IndieReader Discovery Awards for best mystery/thriller
  • Winner of the 2011 Reader Views Reviewers Choice Awards for Best South American Novel
  • 2012 ForeWord Reviews Book of the Year Award finalist
  • Honorable mention at the Paris Book Festival
  • Honorable mention at the San Francisco Book Festival
War on Terror veteran, Eric Caine, is found wandering the streets of Miami with no memory of the car accident that left him there. Alone and suffering from PTSD, Eric is on a one-way road to self-destruction. Then a chance meeting at a bar begins a series of events that helps Eric start anew. When his new job relocates him to Venezuela-the land of his childhood-things, however, take an ominous turn as a catastrophic event threatens the stability of the country. Now Eric must escape an elite team of CIA assassins as he tries to uncover an international conspiracy in which nothing is what it seems.

Buy Now @ Amazon
Genre - Political Thriller
Rating – R
More details about the author
Connect with Henry Mosquera on Facebook & Twitter

Friday, June 14, 2013

Orangeberry Book of the Day - Tongues of Angels by Julia Park Tracey

Ordinary Time 

CHAPTER 1

Rob searched the crowd in the Italian restaurant for a friend. His sun-darkened skin was bronze against his white collar. He felt the heat through his many layers, the weight of black clericals on an August day, the rub of his collar on his brown neck, and wished himself again on the soft shore of Kauai, with cool-warm water lapping his toes, an iced drink at hand. But vacation was over, summer almost gone, and the pace of church life about to pick up dramatically. Rob cupped a hand to his eyes to see across the outside courtyard, where tables were set under an awning, and patrons lounged with wine glasses at the outdoor bar.

There, Rob spied the sun-bleached hair, heard the distinct laugh, recognized at once the erect posture of his best friend, Father Lawrence Poole, bantering with the bartender. They hadn’t seen each other all summer; Lawrence had been in Italy for a month, then Rob had gone to Hawaii to visit relatives. Rob had missed Lawrence more than he’d expected, felt the loss of the regular afternoon call which filled that empty portion of the day; he had missed Lawrence’s wicked laughter through the phone line, the gossip and the companionship that only two souls with the same vocation could know.

Lawrence greeted Rob with a hug. “Hey, there, sweetie. You look relaxed. Did you get lucky over the summer?”

“Ha, ha.” Rob hugged Lawrence back. “You’re projecting. Is there something you need to confess?”

Lawrence put his hand over his heart and made a tragic face. “My lips are sealed.” Lawrence kissed his fingertips, eyes closed reverently.

“I’ll bet.”

The maitre d’ arrived to escort them to a table.

As Rob and Lawrence passed through the restaurant, a lingering trace of perfume met them, to Rob, as familiar as the scent of his own pillow, his own warmed bed, sweet and musky as a woman. And there was a woman somewhere in the room, nameless, anointed with a certain scent, one that pulled him like a ribbon of memory. Another woman had worn the same perfume for him, long ago, a fragrance forever associated with her, that time, that place, that choice, leading down to this moment, this life. Rob pushed the thought back as they came to their table, and he took his seat. A waitress stood by to take their order.

“Have a drink with me,” Lawrence said, dropping into his chair. “I want to celebrate.”

“Let’s get a bottle, then,” said Rob, taking up the wine list. He pointed to a Sonoma Chardonnay. “This one’s fine,” he told their waitress. As he spoke to her, he noticed a fading red mark—knife slice, cat scratch?—on the back of her hand.

The young waitress in her black trousers and crisp white shirt noted the wine and nodded. Rob handed her the list, watching the curve of her jaw as she walked away, the one brown strand of hair at the nape of her white neck that her hair clasp had missed. He made himself look around the restaurant, noticing instead the marble counters, the open windows where the breeze came in, and the terra cotta tile of the floor.

“Tell me what we’re celebrating,” Rob said.

“Ah. Yes. Something wonderful.” Lawrence smiled, his face still glowing with a Southern California tan, sun-bleached bangs that he tossed from his forehead like an impatient colt. “I met a man last month when I was home in La Jolla for a few days.”

“Oh, don’t tell me—you’re in love.” Rob covered his ears.

“Oh, no, nothing like that.”

“Thank God.”

The waitress returned with the bottle of wine. Rob watched her strong hands as she presented the chill green bottle, deftly opened it, poured, and left them again. When Rob had attended St. Joseph’s Seminary, the nuns who had cared for them—washed the seminarians’ clothes, cooked and served the meals—had belonged to a cloistered order. They never showed their faces, but worked silently in the refectory behind a screen, raised just enough to push out plates of food, with only their hands visible. He recalled their unadorned hands, some freckled with liver spots and others blue-veined with age. One particular pair of hands was youthful, smooth and slender, the color of coffee ice cream, with short squared nails. Rob’s first years at seminary had been a torment, dreaming of those hands.

Rob had never stopped yearning. He knew desire that could sweep through him: the untwisting of a tourniquet, the full heat of blood that floods into a pallid limb, the deliberate twist again to stop the flow. He coped with Zen-like mantras, a Hindu’s control of the physical self, a Jewish sense of guilt. Rob tasted the wheat-colored wine, letting its crisp-tart flavor lie on his tongue before he swallowed its coolness. “So what about this guy?”

Lawrence swirled the wine in his glass and held it to the light to admire its pale color. His long tapered fingers, as if shaped in the womb just to play piano, curved gracefully around the stem of the glass. “It turns out this guy works for Archangel Records. I told him about my plan to compose a Mass, and he was interested.” Lawrence had often talked of composing the Propers for an entire Mass.

“Well, so, he’s interested, so what? That means nothing. I gave him my number and flew back up here, thinking, shot in the dark, chance in a million he’ll call me. My typical luck.” Lawrence sipped his wine. “But this week he actually called. He connected me with this agent in L.A. who handles church music, and they gave me a deadline. I have till June 1 to compose the music, score it, arrange it, make a demo, and get the package to them. And if I make the deadline, and if they like it, we’ll record it. I’ll have a compact disc out for liturgical use—and royalties, I hasten to add. Not bad, eh?” He raised an eyebrow.

“You lead a charmed life, don’t you?” Rob clinked his glass to Lawrence’s. “What’ll you do with the money?”

“Give it to Mother Church, of course. Use it to fund some music minis-tries—like maybe a new cathedral choir.”

“They do need help.”

Lawrence sighed. “But there’s a problem.”

“What?”

“There are only two priests at Resurrection and we’re both booked solid with meetings every night and weddings every Saturday. I have no free time to compose now. The timing is awful! Autumn is the worst, you know, with all these activities, and next thing you know, boom, it’s Advent, Christmas, then it’s Lent, and where’s the time gone?” Lawrence jerked his thumb over his shoulder. “Out the window with my recording contract. If the timing was different, I’d be fine. I can’t pass this up, but I don’t know how I’m gonna make it, either.”

“Why don’t I take some of your weddings? Let me know the dates,” Rob offered, as their entrees arrived. The waitress leaned against him, a brush, a nudge, as she worked; setting plates before them, grinding pepper, offering Parmesan, smooth and efficient. Rob and Lawrence waited until she walked away, and then they bowed their heads for a silent prayer. They began to eat.

“So Italy was good?” Rob asked, blowing on a forkful of steaming pasta.

Lawrence held his hand to his heart again. “The best. It always is. I should move there. I will, someday.” He sighed. “How was Hawaii?”

“Hot.” Rob remembered the warm wind, the heat of white sand at his back. “I just lay around at the beach most of the time.”

“Oh?” Lawrence paused, his fork halfway to his mouth. “And?”

“And I got a nice tan. End of story.”

“I’ll hear your confession later, my son.”

“You’re a real funny guy, you know that?” Rob gave Lawrence a look. “Hysterical. Of course I was good.”

“Nothing less than perfection from St. Robert, virgin martyr.”

“Give me a break.”

Lawrence crossed his fingers as if to ward off a vampire. “Next you’ll tell me the ‘Poor Celibate Rob’ story again.”

“Ah, bite me.” Rob grinned as he twirled another forkful of pasta.

“You just have to get over it, Rob. You made your choice. Offer it up.”

Rob reached to pour the wine, but the waitress stopped at the table and took the bottle, poured more wine into their empty glasses. Rob thanked her, his eyes on her hands, that red scratch, the bottle firm in her clasp.

“No confession, huh?” Lawrence rested his chin on his fist, and grinned at Rob.

“’fraid not.”

They sat back as a busboy cleared their plates. Lawrence’s eyes followed the slender young man as he carried the plates away. Lawrence turned back to find Rob watching him. Rob clucked his tongue at his friend.

The waitress, returning with their coffee, smiled sweetly at Rob. He looked away, knowing that he must seem rude.

When she departed, Lawrence said, “She could have been another chip off your chalice.”

Rob said nothing as he poured the last of the wine.

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Genre – Romantic Suspense

Rating – PG13

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Blog http://modernmuse.blogspot.com/

Orangeberry Blast Off – Night Chill by Jeff Gunhus

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Jack Tremont moves his family to the quiet mountains of Western Maryland hoping to leave behind a troubled past and restart his life. Instead, he finds himself caught up in a nightmare when his daughter Sarah is targeted by Nate Huckley, a mysterious and horrifying stranger driven by a dark power that will stop at nothing to possess Sarah.

When Sarah goes missing, suspicion falls on Jack and he must uncover the secrets of the small mountain town of Prescott City and face the evil secret hidden there. As he digs further, he learns the conspiracy reaches more deeply than he could have imagined. Finally, he will have to face the question, What is a father willing to do to save his child? The answer? Anything. Anything at all.

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Genre – Supernatural Thriller

Rating – PG13

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Website http://www.jeffgunhus.com/

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Delia Colvin – The One Thing

The One Thing

by Delia Colvin

Two years ago I had a freak reaction to minor surgery when my blood began to coagulate at an abnormal rate creating numerous blood clots that raced through my veins, into my heart—nearly stopping it and then splattered onto the wall of my lungs in what the technician said was more blood clots than they had ever seen in a living person’s lungs.

Remember that great line from City Slickers:

Curly: Do you know what the secret of life is? One thing. Just one thing.

Mitch: But, what is the “one thing”?

Curly: That’s what you have to find out.

In that moment with my heart pounding wildly, knowing I had only moments left of consciousness, to be honest there was more than one thing. There were three things.

First, believe it or not, I had run into the bathroom for some odd reason and I immediately thought of Elvis and realized that I did not want to die in a bathroom. Yes, really. I returned to the living room.

Then I looked at my husband, Randy. It had been a very difficult couple years for him and I worried about how he would deal with this.

Randy and I have this amazing communication. Later, when they carried me to the back of the ambulance he was instructed to follow us.

As the doors to the ambulance were closed I thought, I don’t believe Randy knows that he will never see me again. A moment later the back of the ambulance opened and he smiled and said, “See? You thought you wouldn’t see me again.” He doesn’t remember saying that to me.

The third thing that I thought was that I was a storyteller yet nobody had ever read any of my stories. I had files and files of unfinished novels and screenplays. But I had never had the courage to allow anyone to read them and I had come to doubt my ability to complete a novel.

One year later I was still thinking about previous novels and how I would finish them “one day” when suddenly a new concept for a story flashed into my head in a matter of seconds. It was a storyline so odd to me in a genre I would never have considered and yet I was absolutely compelled to write.

I was working twelve hour days in D.C. in an intense job and truly no time to write. So I pulled out my iPhone and wrote on the notepad while walking the mile to and from my car, during lunch and other breaks and then in the evening when I got home.

In three weeks I had completed my first novel.

Seeing me writing on my computer was not an oddity at our home.  What was odd, was when I took my laptop over to my husband’s desk and in a very small voice said, “I’ve just finished my first novel. Do you think you could take a look at it?”

Randy is not a fiction reader and it was absolutely terrifying for me to open my story to him. After reading for a few hours Randy turned to me and shook his head. I thought he didn’t like it. Then he said the words that forged our lives in a whole new direction:

“Forget air traffic control. This is what you were born to do!”

What an extraordinary gift! Followed by another…the story was a trilogy. Within 10 weeks I had completed the first draft of a paranormal romance, The Sibylline Trilogy. This was followed by the arduous task of rewriting, editing and learning the book business in a world that is changing rapidly.

For the past year and three months I’ve been a full-time novelist and I now spend a glorious 10-14 hours a day mostly writing but also learning and working the book business. I’ve been blessed to have stumbled upon the most extraordinary of teachers—first and foremost the amazing Melissa Foster, bestselling author and best friend to authors around the world with her various author groups—primarily Fostering Success.

I’ve seen the first two novels of the trilogy, The Sibylline Oracle and The Symbolon hit Amazon’s bestsellers lists with extraordinary reception. I’ve made money (yes, it is possible). But mostly I am living a life that reflects my one thing—okay two things, my passions, my husband and my writing and it is a beautiful life!

The Symbolon is the passionate second novel of the addictive Sibylline Trilogy!

For 3000 years, Alex has dreamt of a life with his mortal beloved, Valeria. And it appears that they will at last have a chance for a life together!

But when they approach the ancient council of immortals, for approval of the marriage,
they discover that sinister forces object to their union. Soon they find themselves faced with terrifying threats including a devastating separation that neither may survive!

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Genre – Paranormal

Rating – PG

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Website http://www.deliacolvin.com/

Thursday, June 13, 2013

Orangeberry Book of the Day – Aberration by Lisa Regan

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FBI analyst Kassidy Bishop is assigned to the “For You” killer’s task force after a series of sadistic murders bearing the same signature arise in different parts of the country.

The homicides are both calculated and savage, occurring in different states, but bearing the same signature: the words “for you” scribbled at each crime scene. The case chills Kassidy, bringing back memories of her own encounter with a violent criminal five years earlier.
Kassidy’s mentor, legendary agent Talia “The Confessor” Crossen knows the task force assignment is Kassidy’s chance to prove to her colleagues that she belongs in the Behavior Analysis Unit. For five years, other FBI agents and profilers scoffed at Kassidy’s appointment to the BAU, believing she was only offered the position in exchange for her silence about the brutal assault that almost killed her.

The stakes rise when the task force links the killer’s signature to Kassidy. As more and more bodies turn up, Kassidy must delve into her past and the mysterious death of her twin sister, which holds the key to uncovering the killer’s identity.

The closer Kassidy comes to finding the killer, the closer she comes to a deadly confrontation that could cost her everything—including her own life.

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Genre – Crime Thriller

Rating – R

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Website http://www.lisaregan.com/

Alan Plessinger – Finding Your Voice

Finding Your Voice: Writing in First Person

by Alan Plessinger

Introducing another character when writing in first person:

“Michael Johnson stood nearby. Michael was twenty-three years old and currently working for Starcrossed Industries as a marketing consultant.”

No one thinks like this, in real life, when they see Michael Johnson. So why should a first person narrator write like this? Well, because telling a story in first person is more than a matter of one character in the story recording his thoughts and impressions in real time, as the story goes on around him.

The job of a first person narrator is to act as host to the reader, bringing him in slowly, introducing him around, making sure he’s not feeling confused or left out. If there’s something the reader needs to know about Michael Johnson to appreciate the story, the narrator had better tell him up front.

But the narrator will test the reader’s patience if he insists on relating the life story of Michael Johnson before poor Michael has had a chance to say a word. Sketch in the details to begin with, let Michael Johnson say a few things to prove  he’s worth caring about, then later on, if it’s worth hearing, you can tell the reader some more about Michael Johnson.

The reader need not always be perfectly informed about everything. Once Michael starts talking, it’s fine if he says a few things that don’t made perfect sense to the reader, things that make the reader curious and entice him to read further. These things need not be explained immediately. But if there are too many of them, with no explanation forthcoming, this will result in a confused and exasperated reader. If the narrator really expects the reader to wait until the end of the book for an explanation of some mysterious matter, then the matter must be brought up many more times, to keep the reader in the game.

All this assumes that Michael Johnson is a character already known to the narrator. Suppose the first person narrator is meeting Michael Johnson for the first time? Then he really is limited to his thoughts and impressions about Michael Johnson in real time. Both reader and narrator must get to know Michael Johnson at the same time, from his appearance, his words, his body language, the look in his eye, the expression on his face. But not his thoughts, because the first person narrator doesn’t get to peek into those, unlike the third person narrator.

It’s probably a bad idea to bring in a fact that the first person narrator knows in retrospect but not in present time about Michael Johnson, though this has been done by some great writers to great effect.

So why write in first person, when it is so severely limiting, and prevents the reader from getting to know any character other than the narrator intimately? Probably because some stories just can’t be told any other way, and some authors just can’t write any other way. And there is a challenge to presenting other characters this way, from the outside only. After all, it is the only way we get to know other people in real life.

And you could always cheat. Better authors than you have cheated outrageously. Marcel Proust was famous, or infamous, for having his first person narrator know all sorts of things about other characters he couldn’t possibly have known. Raymond Chandler’s narrator recounted a conversation between a murderess and the cop who arrested her that he did not witness and could not have known a word of, since they both died.

Regarding the idea of enticing the reader with a fact that the first person narrator knows in retrospect but not in present time, you might turn your attention to “David Copperfield,” written by Charles Dickens in first person. Young David, still a boy, meets a girl his age named Emily, and as the two children stroll by the seaside together, young David favors us with this rather chilling pronouncement:

There has been a time since—I do not say it lasted long, but it has been—when I have asked myself the question, would it have been better for little Em’ly to have had the waters close above her head that morning in my sight? And when I have answered, Yes. This may be premature. I have set it down too soon, perhaps. But let it stand.

Talk about hardcore! And this just after meeting the girl! What did she do? Did she kill someone?

Find out along with David.

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Genre – Murder / Mystery

Rating – R

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